M.M.LaFleur

M.M.LaFleur

Clothes with thoughtful touches — like bra strap-holders and hidden buttons — take the legwork out of getting dressed.

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About M.M.LaFleur

There’s nothing worse than spending all day in clothes that pinch and pull. M.M.LaFleur was started by a group of female entrepreneurs who wanted to make choosing an outfit the easiest part of your morning. Whether you’re running for office, running a meeting, or running your kids from place to place, M.M.LaFleur offers classic pieces that incorporate thoughtful touches, like hidden buttons to prevent gapping and lingerie snaps to keep bra straps out of sight. And the brand goes a step further than making you look sharp: Its 2020 initiative #ReadytoRun loaned worry-free clothing to women running for every level of public office. Plus, M.M.LaFleur is a longtime partner of Bottomless Closet, an organization that offers professional clothing to disadvantaged women in New York City. 

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Why we love them

We love how M.M.LaFleur combines comfort and style so you can look and feel your best at home, work, and everywhere in between, and the wrinkle-resistant and machine-washable fabrics are a huge plus. KCM’s Mary Kate loves the wide-leg Milo Jean for a touch of drama; it features an adjustable hem to make switching from flats to heels easy. The Peggy Top is a new favorite of KCM’s Lisa: It has a sleek v-back to match the v-neck front and is perfect for the office, a casual lunch, or a night out. For the shopping-challenged among us, M.M.LaFleur offers virtual and in-person appointments with senior stylists to help you build your ideal wardrobe of versatile pieces. With stretchy waistbands and plenty of options whether you’re petite, tall, or expecting, M.M.LaFleur’s clothes are fad-resistant, made to last year after year. 

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Meet Sarah LaFleur

After spending her early 20s searching for her dream job, Sarah LaFleur quit the corporate world at 27, put all of her savings into a business account, and started working on a line of apparel designed for working women…despite having no experience in the fashion industry. “I was very naïve, and in some ways that worked in my favor,” LaFleur says. “Apparel is a very complex industry, but I walked in thinking, How hard can it be to make a better pair of pants, a better T-shirt, a better button-down?” We talked to Sarah about the design process for M.M.LaFleur’s clothing line, how the brand has evolved over time, and the method her company uses to ensure equal compensation for equal work.

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In Conversation with Sarah

KCM: You started M.M.LaFleur in your late 20s. How did you make the decision to start a company?

Sarah LaFleur: I should start by saying I never thought of myself as an entrepreneur. My first real job out of school was as a management consultant, which led me to spend some time working for a nonprofit in South Africa before ultimately coming back to New York City to work for a private equity firm. I had these disparate experiences and I was hopping around a lot, trying to figure out what my calling was. I landed what I thought was my dream job at this private equity firm, and basically the first week in, I knew I had made the wrong choice.

That quickly? What happened?

I just knew I was not a good culture fit. I was one of two women out of over 100 investment professionals. I remember people remarking to me that it was not a particularly female-friendly work environment, and I could feel from the very beginning that there was no way I could be successful there.

I tried to hang on for a little bit, but four months in I decided to stop trying to make it work when it wasn’t meant to be and I left. It was the last thing I wanted to do because I really wanted to build a career, but it was a hard, hard environment and I was very emotionally depleted. After I left, I was distraught and I wasn’t sure what to do. I was so obsessed with the fact that I had left a job so quickly and that no one would ever hire me again that I was thinking, “I probably should go and start my own thing because that’s the only way I’ll make money.” So this idea to start a company came about at this very, very low point of my professional confidence.

How did you decide on clothing?

I had had this idea for a clothing line for working women for a long time. My mother worked in high-end fashion, so she would bring home pieces and show me what good tailoring looked like, what good fabric felt like, what a good fit felt like. I saw what was attainable, even though what I would actually purchase for myself on my starting salary was nothing like that. I sensed a huge gap between what was actually available for most working women and what could be. So I started with the question, “Could you just make better, beautiful clothing for busy women?”

You didn’t have a fashion background, so how did that work?

The first thing I did was bring on my co-founder, Miyako Nakamura, who had been the head designer at Zac Posen. I didn’t know anybody in fashion, so I found a headhunter through a friend, who then introduced me to Miyako. People often ask, “Why on earth would Miyako want to work with you?” I think it was both timing and kismet. We definitely had a special connection that we share to this day.

What steps did you take to start building the line?

We started doing what you could call “market research.” I took Miyako to her first Banana Republic, her first J.Crew — she had never seen their clothes. I could see the gears turning in her head as she realized this is what most women wear. I would say, “This sweater makes a lot of sense for these practical reasons,” or “This dress would be great, but you can see your bra straps so it’s not great for work.” Things that feel obvious if you’ve been in a corporate work environment were not at all evident to Miyako. It helped explain why there was such a gap between the clothes a lot of women are looking for and the actual clothing that’s presented on the racks — the experience of walking into a store thinking, I just need a pair of basic black pants. Why are those so hard to find? Customer research exists in other categories in a way that it doesn’t in clothing. 

How did you branch out into your more casual line?

Around 2017 we were seeing dress codes relax both in the office and generally. People were wearing sneakers and denim with a button-down. When we interviewed women about it — particularly those who worked in Silicon Valley — they told us that in some ways the lack of a formal dress code made things more complicated. It was that much harder to figure out what you were supposed to be wearing and what would garner respect while reflecting your personal taste.

Miyako started designing a line of clothing we started calling “Power Casual” internally, which was one step up from just casual. It was representative of what you need to transition from one scene to another, from a morning meeting to working briefly in a coffee shop to meeting friends for lunch. It had the same attention to detail that made our original line special, too. From the very beginning, our clothes were mostly machine washable and wrinkle-resistant, and we would have details like adjustable hem lengths. We’re always thinking about the life that “our girl” — we call her Samantha — is living. 

It was not a big part of our business initially. We had just launched T-shirts purely by coincidence when Covid hit, but dresses were still our top category.

You’ve been very open about your challenges with infertility, and you ended up having three kids — one through IVF and twins via a surrogate — during the pandemic. How do you balance all this?

I feel terrible saying this, but the pandemic has been this weird gift for someone like me who has gotten to work from home for most of the past two years. I only know myself as a mom through this pandemic period. I just have enormous respect for those who were moms pre-pandemic and had to continue working outside the home or work from home with school-age children. I have a lot of help. My mother-in-law has been here with us on and off since the kids were born. We have an incredible nanny who’s here Monday through Friday, and then on the weekend, it’s me and my husband. That’s been a true lesson for me because I used to use the weekend to sleep or rest and catch up on work if I needed to, and now Monday feels like a breeze compared to Sunday. I’m learning as I go, and I think the true test will be what things look like when I start to return to the office in a more meaningful way.

You’re Gender Fair Certified. What does that mean?

During our startup stage, we noticed a wage gap between men and women at the company. Some of that was a factor of when people joined the company: Typically, early-stage employees make less in salary, but they get more equity. Similarly, startups often get criticized — sometimes unfairly, but often fairly — for favoritism. The people who are there in the very early days get promoted quickly because they know the company and they end up taking on a lot more responsibility than most young people would have at an established company. So we needed to rethink our compensation and promotion cycles.

In 2016 or 2017, we created a matrix with bands from level 1, which is entry level, up to level 11, and we placed everyone in a square. If person A and person B are in the same square, they should be paid the same amount, and we tied everyone’s titles directly to compensation. It was a huge exercise, and it took us two years from beginning to end to implement it. But the result is transparency within the company. 

Next, we mapped different capabilities to each of the 11 levels. For each review cycle, employees had to hit four out of the six things in that level in order to be considered for promotion, and there had to be a business need for it as well. Is it perfect? No, but we’ve made it as transparent and fair as possible.

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